{"id":43,"date":"2008-07-29T03:56:12","date_gmt":"2008-07-29T10:56:12","guid":{"rendered":"http:\/\/www.partnersinrhyme.com\/blog\/royalty-free-composer-tips-creating-a-music-library-pt2\/"},"modified":"2009-01-26T07:34:25","modified_gmt":"2009-01-26T14:34:25","slug":"royalty-free-composer-tips-creating-a-music-library-pt2","status":"publish","type":"post","link":"https:\/\/www.partnersinrhyme.com\/blog\/royalty-free-composer-tips-creating-a-music-library-pt2\/","title":{"rendered":"Royalty Free Composer Tips: Creating A Music Library pt2"},"content":{"rendered":"<p>Some great questions from musicformedia over at filmandgamecomposers.com:<\/p>\n<p><B>When you first created your library was it all music you had already made, or was it stuff that you created specifically for the purpose of selling in a stock music library?<\/B><\/p>\n<p>We started out our music career as composers for TV shows and commercials, radio ads and video games. We would always give our clients 3 or 4 different ideas to choose from for their spot. These were all fairly well-developed ideas. They would choose one and the rest would go on the shelf. Our first collection of royalty free music (published in 1996) was a collection of these alternate choices.<\/p>\n<p>Once that collection started selling we realized we needed to create music specifically for our production music library.<\/p>\n<p><B>If you were creating your library of stock music from scratch again, what would you do differently?<\/B><\/p>\n<p>I think I would have kept track of the different mixes better. In the old days once a mix was done the set up was pretty much lost forever. Now we can recall any mix and have it come back sounding exactly the way it did a couple of years ago.<\/p>\n<p><B>Do you think there is a set &#8220;package&#8221; of types of music you should upload? What I mean by this is, if you sell a lot of music, is there a certain amount of of types that sell more than others &#8211; ie. should you create a library of 50 songs (each with a 60 second edit, 30 second edit, 15 second edit and 2 or 3 loops), maybe 4-5 sound effect bundles &#8211; like a &#8220;Video Game&#8221; Sound Effect Bundle, &#8220;Horror Movie&#8221; Sound Effect Bundle etc. I hope this makes sense &#8211; my general question is, should you be creating a set amount of each type to maximise sales?<\/B><\/p>\n<p>Bundles are great, the more creative the better. In my experience many of our customers go for the full length track but people who just need a loop for their website will buy one or two of these from the package. Lots of people buy the 60 second version because it is usually a bit cheaper. <\/p>\n<p>We have some composers who upload bundles of music loops and corresponding button sounds. Music and complimenting sound effects is a good idea (we did this with our Horror! collection and it sells very well).<br \/>\nIn your case maybe some nice ambient nature sounds to go along with your piano music.<\/p>\n<p>Some advice on pricing your packages; if your full length track is 1:30 I would price it the same as your 60 second version.<br \/>\nIn general I would price the 60 second version of the tracks close to or the same as the full length track price.<\/p>\n<p><B>How long are your tracks usually? I have a lot of 20-30 second piano pieces, but I&#8217;m not sure they&#8217;re long enough.<\/B><\/p>\n<p>This is considered fairly short, you might want to extend them. 20 seconds is good for a website, most of our 20 second loops go for $9.95.<br \/>\nThe 30 second version might be $14.95 or $19.95 but you really want to get up to at least 60 seconds for most uses.<\/p>\n<p><B>I&#8217;ve noticed a few full sized scores for films &#8211; ie. 10-15mins tracks &#8211; do you sell any of these yourself, and do you find they sell well?<\/B><\/p>\n<p>Most full scores are actual symphony recordings of classical music. At least on our websites I haven&#8217;t seen any composers uploading anything over 5 or 6 minutes.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Some great questions from musicformedia over at filmandgamecomposers.com: When you first created your library was it all music you had already made, or was it stuff that you created specifically for the purpose of selling in a stock music library? We started out our music career as composers for TV shows and commercials, radio ads [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[7],"tags":[],"_links":{"self":[{"href":"https:\/\/www.partnersinrhyme.com\/blog\/wp-json\/wp\/v2\/posts\/43"}],"collection":[{"href":"https:\/\/www.partnersinrhyme.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.partnersinrhyme.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.partnersinrhyme.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.partnersinrhyme.com\/blog\/wp-json\/wp\/v2\/comments?post=43"}],"version-history":[{"count":0,"href":"https:\/\/www.partnersinrhyme.com\/blog\/wp-json\/wp\/v2\/posts\/43\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.partnersinrhyme.com\/blog\/wp-json\/wp\/v2\/media?parent=43"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.partnersinrhyme.com\/blog\/wp-json\/wp\/v2\/categories?post=43"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.partnersinrhyme.com\/blog\/wp-json\/wp\/v2\/tags?post=43"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}